A variety of approaches in the enjoyment of drawing Robin:
1. starting at the foot and journeying up through the pose, halting at significant locations with an increased intensity of mark-making,
2. looking up at her high up above me in the studio, yet quite close,
3. a rare inclusion of all the supporting ropes,
4 & 5. two, what I refer to as, perspective drawings.
All are two handed drawings on A1 cartridge paper. I'm drawing with two 2B pencils.
Each pose is for 30 minutes. Sometimes Istop before I get to the end.
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